In the late 1990s, Dylan Howitt persuaded me to work with him on a film about my research into global environmental finance. Suits and Savages (Conscious Cinema, 2001) set out some fatal flaws embodied in funding for biodiversity and climate protection.. and I’ve not stopped film making yet.

zoe with camera

“Complex ideas, made accessible to new audiences”

    “Beautiful”      “Powerful”      “Very moving”